Talented
Brit and Ivor Novello Award nominee Nerina Pallot continued her Lonely
Valentine Club Tour in Edinburgh by proving once again that she is one of the
UK’s finest singer-songwriters.
The intimate surroundings of Pleasance Theatre proved the ideal venue for
the show, which saw Pallot ditch the band in favour of a completely solo show-
just a piano, a guitar and her beautiful, disarming voice. And that only served
to show just what a talent Nerina Pallot is. Without a full band behind,
the spotlight shone more fiercely on the quality of the songs, a place where
the Jersey-born star excels.
Plenty of tracks came from her best-selling album Fires, including breakthrough single Everybody’s Gone to War- which Pallot admitted she had gone through
a period of not playing “like a petulant teenager”- along with Idaho and the incredible Human.
Mr King, Daphne and Apollo and History Boys may be heart breaking but
they were also transporting, proving Pallot’s ability to penetrate the most
intimate and private emotions. Lost in these poignant songs, her voice soared
like a dove, and the simplicity of which she sang about the tragedy of war
seemed to move the audience almost to tears.
Being a Nerina Pallot show, there were also the predictable ramblings
between songs which are almost as entertaining as the tracks themselves. This time
she voiced her opinion on reusable nappies as well as an offer to play at the
wedding of any couple that had met at one of her gigs.
Treating us, among other things, to a live performance of the four new
songs from her Lonely Valentine ClubEP, Pallot’s soaring vocals are
perfectly accompanied by her solo piano and guitar-playing. A highlight among
the new numbers is a hastily-written composition, Love Is An Unmade Bed, which dissects the ins and outs
of a love-affair suffering from diminishing returns. The songs on the set list
centre around the themes of unrequited love and the growing domesticity between
couples, which Pallot jokingly insists are most certainly not about her
marriage to record producer Andy Chatterley.
The new EP also includes an unexpected cover of CeCe Peniston’s 1992 single ‘Finally’, reworked
into a stripped-back, piano ballad that manages to retain the joyful
declaration of a new love and is, at the same time, underlined by a sombre
soundscape.
This may sound like an evening of lamenting lost loves, yet as the rosé
flows onstage and Pallot shares the despair of her St Valentine’s Days past,
there is a distinctly jovial atmosphere between the singer and the audience,
who appreciate Pallot’s humorous, self-deprecating musings on love.
Pallot closed the show with radio favourite Put Your Hands Up but returned for an inevitable encore of Sophia, a ballad of desperate burning
and unfulfilled love which has become a highlight of her concerts as she
confesses: “Sophia, Sophia I’m learning that some things I can’t go without/And
one of them is him.”
